Showing posts with label 80's. Show all posts
Showing posts with label 80's. Show all posts

Wednesday, June 24, 2015

Ex Hex's Debut Rips in Title and Sound


I haven’t reviewed an album in a while and that is mostly because I haven’t heard one in full which was worth talking about.  However, I recently went and saw Ex Hex at the Sinclair and boy was it a show to remember.  I originally went to see two local openers the first of which absolutely killed.  But Ex Hex was a band that had been on my radar for some time after lead singer/guitarist Mary Timony formed the band Wild Flag alongside Sleater Kinney's Carrie Brownstein.  After an incredible set I picked up their debut record and after several times through, it only keeps getting better.  Entitled “Rips” the album contains twelve nearly perfect tracks of 80’s infused, guitar driver pop rock.  Album opener “Don’t Wanna Lose” establishes the "love theme" which is present in most songs on the album and starts things off with a whiny guitar sound which is ever present throughout the record.  “New Kid” calls to mind early Joan Jett and maintains a steady baseline with layers of lead and rhythm guitar which play off each other superbly.  Betsy Wright’s bass and Timony’s guitar work bounce back and forth like a perfectly timed ping pong match. “How You Got That Girl” is one of the two tracks written by Wright and hearkens back to 80’s giants like Pat Benatar with a chunkier rhythm and the snappy guitar squeals which define Ex Hex’s sound.  Heavy track “Beast” is a slap in the face before the haunting, muted “Everywhere” takes things in a different direction.  Later on “You Fell Apart” is right on track with other 80’s revivalists of today sounding like a cross between the Dum Dum Girls and L.A. garage pop vixens Bleached.  The album closes just as strongly as it begins with the upbeat “Radio On” bringing more sing along choruses and bubbly new wave a la The Go Go’s.  Closing track “War Paint” has one of the best lines of the album as Timony sings “Put your war paint on and dance alone in the crowd”.  This sums up Ex Hex. They are who they are and they do what they do and you'll just have to deal with it.  A band which clearly comes out of the marginalized, loner portion of society and provides the world with the kind of catchy radio rock which is friendly enough for your grandma and rough enough for your cousin going through his punk phase.  Although still relatively fresh having just released their debut back in October of 2014, the band is incredibly tight live and is destined for a phenomenal follow up in my opinion.  Keep your eyes peeled and catch them if you can because I’m sure they won’t be playing such small venues for much longer.

Wednesday, September 17, 2014

Bob Mould In All His Alternative Glory


Bob Mould has once again succeeded at creating alternative rock gold.  His latest solo album Beauty and Ruin has the same raw intensity seen in his time with Husker Du while maintaining the more alt rock oriented sound of his early solo albums and influential 90’s band Sugar.  The albums 10 tracks combine elements of alternative, punk, grunge, and rock in a way which can best be described as a mash up between the Foo Fighters and Bad Religion if you must draw a comparison.  Lead in track “Low Season” starts with a haunting and mesmerizing guitar riff which navigates slowly through a melancholy drum beat and comes crashing down with the symbols during the chorus setting a dark and mystifying tone which is abandoned on second track “Little Glass Pill” which hits you like a ton of bricks after chilling out to the slow opener.  The tracks fast, punk rock tempo startles you at first but reminds you that this is in fact the ex-guitarist for one of the preeminent 80’s hardcore bands of the Midwest.  “I Don’t Know You Anymore” follows with a more pop rock, radio friendly sound before continuing into “Kid With Crooked Face” which brings us right back to the blistering tempo and punk sound of Glass Pill and ends up sounding the most like Husker Du on the album alongside the later track “Tomorrow Morning”.  “Nemeses are Laughing” comes next and again returns to the radio rock of some of the earlier tracks.  Mould manages to switch back and forth almost seamlessly providing catchy songs for both mainstream rock fans and underground die-hards.  “The War” comes next and is one of the best songs on the album employing a mix of 70’s punk influences and pop rock to craft a sound similar to the Foo’s.  This sound is continued on “Hey Mr. Grey” but not before cooling off, as is the style of the record, with “Forgiveness” a soft rock ballad with no central guitar riff and a xylophone in the background which definitely sounds the most out of place on the record.  The album comes to a close with two songs which again vary greatly in sound while still maintaining a cohesiveness which ties the album together.  “Let the Beauty Be” is an acoustic soft rock gem which calms your pulse before the record finishes with a bang.  Closing track “Fix It” is some incredible alterna-pop and has the best drums out of all 12 songs which is only fitting as any self-respecting rock album should leave your pulse racing at the end.  In the same vein as Ian Mackaye and his band The Evens, Bob Mould has shown that it is not only possible for the early 80’s hardcore sound to evolve and grow over time but that it’s influences can be used to create something totally new which exemplifies the fact that music is too great and varied to restrict yourself to one style.

Wednesday, June 18, 2014

Cult Classics - Meatballs is a Feel Good Summer Film for All



Considering today is the last day of school, it seems like a good opportunity for another Cult Classic, a timeless summer camp film which is a perfect way to get excited for the school vacation ahead.  Released in 1979, Meatballs was the first starring role for comedian Bill Murray.  Focusing on the quiet, introverted Rudy Gerner, away from home at sleep away camp for the first time, the film is part coming of age tale, part raunchy teen comedy, and part feel good family blockbuster.  Murray plays head counselor Tripper Harrison, in charge of the camps CIT’s (counselors in training) a group of elder teens which help lead activities and run the assorted bunk houses.  Tripper takes an interest in young Rudy and takes him under his wing for the duration of the summer.  The two go on long runs together and discuss life over games of poker.  The summer is filled with first loves, competition with neighboring camp Mohawk, and many pranks on camp director Morty Melnick.  There are WAY too many jokes and one-liners to list but suffice it to say that the entire movie is quotable.  From the CIT theme song to Murray’s constant sarcastic remarks both directly to campers and counselors and also over the camp loud speaker, the film is laugh out loud funny from start to finish.  In the end, the message is simple: be yourself, laugh often, and always remember to have a good time because when you take a step back and look at whatever problems you have, in the grand scheme of things….it just doesn’t matter. 

Wednesday, June 4, 2014

Eagulls Make Some Fantastic 80's English Post-Punk


Eagulls have put out the best British post-punk I’ve heard since Echo and the Bunnymen which is saying a lot considering the latter is considered one of the best bands to play the genre and the former just put out their debut less than a year ago.  The five piece rock band from Leeds, England released their debut eponymous album and its 10 tracks ooze with hardcore guitar riffs, exquisitely deep and haunting base lines and vocals which sound straight out of the 1980’s New Wave/Post-Punk English scene with an extra gritty sincerity all their own.  Lead in track “Nerve Endings” has singer George Mitchel melodically shrieking the chorus in a way that is reminiscent of Mark E. Smith with a hoarser, "punkier" squeal which reveals Eagulls history in the hardcore scene .  The following track "Hollow Visions" is a veritable punk explosion of energy.  Tracks like "Amber Veins" and "Fester/Blister" have great speed and 80's guitar riffs that recall early Joy Division with a faster, heavier tempo.  The group clearly has an ear for history while bringing their own style and feel to each and every song.  The tempo changes brought to the table by drummer Henry Ruddel are perfect and not only drive the songs forward but keep them interesting as the sound of each starts to blend slightly by the end of the album.  While almost all songs maintain the punk aesthetic like "Footsteps" which channels 70's bands like The Damned or closing track "Soulless Youth" (one of the best on the album) some like "Possessed" and "Tough Luck" are reminiscent of the more pop oriented 80's sound of bands like Gang of Four (also from Leeds) or The Cure while still maintaining that hardcore influence alongside drumming that sounds straight out of Mission of Burma's entire catalog.  The band, which formed in 2010 is setting itself up for a successful run.  Their live show is supposed to be out of this world and they're slated to play Great Scott in Allston two weeks from today.  I have tickets and am so excited to see these guys rip through some songs which you would swear were straight out of 1984.  If you grew up in the 80's or are a fan of underground music from the era, you will not be disappointed with this album.

Wednesday, May 7, 2014

This Morning's Commute

Some songs from this morning.

1. Come Original - 311
2. Flipside - The Breeders
3. Land of Treason - The Germs
4. The Gambler - The Both
5. Bigshot - The Pack A.D.

Wednesday, April 30, 2014

Today's Playlist

1. Mystery Man - The Strypes
2. Make Myself True - Together Pangea
3. Hunger Stike - Temple of the Dog
4. Jealous Again - Black Flag
5. 1985 - Bowling For Soup