Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, March 30, 2016

This is Ron Burgundy Signing Off...You Stay Classy San Diego

Dear loyal readers (of which I know there are thousands), it is with a heavy heart that I am relinquishing the reigns of Dive Deep Into Music and Movies.  I will be leaving the DFL and moving on to the Hingham Public Library as their Local History librarian.  Writing this blog has been an absolute treat and I will miss it dearly.  I hope that those of you who read it will continue to do so as our fabulous YA librarian Larissa takes over and brings her unique opinions to the ever growing collection of AV materials we have here at the DFL and beyond! Thank you to anyone who has ever read anything I've written.  I hope it inspired you to watch or listen to something new!  For now, I'll leave you with a final playlist...



1. Pill Popper - White Pages
2. Youth Decay - Sleater Kinney
3. Gloria - The Monsieurs
4. Cat and Mouse - Radkey
5. Good Times, Bad Times - Led Zeppelin
6. Dammit - Blink 182
7. Good Riddance (Time of Your Life) - Green Day 
8. Goodbye Cruel World - Pink Floyd
9. Come Sail Away - Rush
10.Leaving on a Jet Plane - Me First and the Gimme Gimmes

Wednesday, January 27, 2016

Some Songs from this Morning

1. See More Glass - Total Control
2. In My Eyes - Minor Threat
3. Big Me - Foo Fighters
4. Everywhere I Go - Mini Dresses
5. Ironic - Alanis Morissette

I Should Have Paid More Attention to METZ


When Canadian noise punk trio METZ released their eponymous debut in 2012 I was indifferent.  I thought it was good, but never thought it was anything revolutionary or radical.  The albums 10 songs were straightforward grungy noise rock with a hardcore twist.  An amalgam of other Sub Pop releases from the last 20 years.  However, I recently gave their new LP simply called "II" a listen and I was floored.  The power and sincerity I never noticed on their first album was readily apparent on their sophomore effort.  Sharp, jagged opener "Acetate" sets the tone for the rest of the album with it's shaky vocals, whiny guitar strings, and a bass line that feels more like a kick to the face as it drives the music forward.  Other stand out moments include the adrenaline fueled "I.O.U" and the sporadic tempo shifts of "Spit You Out".  METZ finishes strong with "Kicking a Can of Worms"; a song that builds and builds before erupting like the violent volcano it is.  You're hypnotized by the repetitive droning noise as the band leaves you with a farewell letter that shows they are more than just your average rock band.  It ends up representing what makes METZ great.  Using a variety of musical building blocks, the band incorporates the influences of 90's Seattle in a way that doesn't sound forced or overexposed.  Their live show is supposed to be a smorgasbord of whipping hair, metal riffs, and a sludgy rhythm section which lets be real, is the perfect cocktail for mind altering rock and roll.  A recent stop in Boston at the Sinclair saw the band playing with 2015 breakout band Bully and up and coming Seattle rockers So Pitted.  Really wish I had been paying more attention to this band but they've certainly hooked me now.  It's what rock is supposed to sound like in 2015.

Wednesday, January 13, 2016

The Space Oddity Returns to the Stars: RIP David Bowie (1947 - 2016)

      Celebrities die all the time.  I'm sorry if that sounds morose but it's true.  They are just people like you and me and eventually, we all succumb to death's frigid grasp.  However, every once in awhile we lose a true icon; someone who is not a celebrity, but instead an immortal being whose presence on this planet shaped generations. They're more than just another "rock star" and leave us all in a state of cultural shock at the mere IDEA of their loss.  It's almost incomprehensible that they could be gone and yet we are all left in the wake, attempting to make sense of it all.  Such was the case this past weekend when the world lost a true social, musical, and cultural legend: David Bowie.
      To condense the life of such an incredible human being down into a few words hardly seems like an appropriate gesture.  Sure we all had a Bowie that meant something to each of us.  Some had Ziggy Stardust, some had the Duke and still others knew him only as Jareth the Goblin King.  The point is that David Bowie transcended his earthly shell and will join an elite group of people who have truly become immortal.  His music will continue to inspire, provoke, and mystify future generations with each and every listen.  His progressive beliefs on gender, fashion, art, film, and music are the stuff of legend.  Up until the very end, Bowie never stopped creating and in the days after his untimely death we're left with his final message - Blackstar.  An album whose meaning is now abundantly clear.  Faced with his imminent demise, Ziggy left us with a message of hope and of confidence.  He tells us not to be afraid, not to mourn, not to dwell on the sadness but instead embrace the future.  The release of his final record, accompanied by his final birthday, and followed by his crushing death lead us all to reevaluate his last words and listen closely as the man himself speaks to us about his final months - from whatever dimension he now calls home.
      People always look back on history, culture and particularly music and say man, I wish I could have been alive in the time of John Lennon, in the time of Jim Morrison, of Darby Crash, Kurt Cobain, Lou Reed...people who established themselves in the pantheon of human civilization as true musical trendsetters and revolutionaries.  As the dust settles around this terrible loss I'm left with a sense of pride... pride that I got to live in the time of David Bowie.

Wednesday, December 23, 2015

Best Albums of 2015!!!

In a ritual as old as time (or at least as old as Neanderthals playing rudimentary bone flutes) it is time once again for a year end list.  It's almost a requirement, as if necessary to prove you've been listening all year.  Everyone's list is different, and if you read my list from last year you'll know that my picks certainly fall into a certain category/niche.  But nevertheless, here are the albums I thought were the best this year and deserve your attention.  Some above ground, some underground, and some in between (in no particular order).

1. No Cities to Love - Sleater Kinney
      -It's been 10 years since Washington based 90's riot grrrl powerhouse Sleater Kinney released an album but the trio came through in 2015 with a new full length which is just as relevant and raw as any of their previous releases.  Seeing them live was one of my best shows of 2015.





2. The Race for Space - Public Service Broadcasting
      -Definitely the outlier on my list, this ambitious indie electronic album was unlike anything I've ever heard.  Using actual audio recordings from both the the US and Russian space programs of the 1960's, the band captures both the era itself and a unique sound all their own.  It's hypnotic.







3. Sometimes I Sit and Think and Sometimes I Just Sit - Courtney Barnett
      -Universally hailed by fans and critics alike, Australian singer/songwriter Courtney Barnett released what many are calling the best alternative rock record of the year (maybe even the decade).  Her intricately crafted lyrics reflect the angst and disillusion of the millennial generation better than most this year.  The album is both complex and accessible at the same time making it a top pick for most who hear it.



4. First Demo - G.L.O.S.S.
      -Transgender punk band G.L.O.S.S. from Olympia, WA put out one of the most important hardcore releases of the year (maybe THE most important).  The albums lyrics are confrontational, brutally honest, and frighteningly important at a time when LGBTQ and Trans rights are at the forefront of the modern progressive movement.  Despite all the progress, their songs remind us that we still have a long way to go.  Definitely the most goose bump inducing release of the year in my opinion.



5. Predatory Highlights - Tenement
      -Wisconsin based punk band Tenement has been around for 10 years now but this year saw the release of their most formidable album yet.  The records 25 tracks spread across a double LP jump between hardcore thrashers, post punk compositions, and poppy lullaby rock.  It's as sonically diverse as it is powerful and has been compared to such iconic double albums as Husker Du's Zen Arcade and The Minutemen's Double Nickles on the Dime for it's complex style and original structure.  It's an album for the history books, no question.

6. A Distant Fist Unclenching - Krill
      -As the band sings on the first track from their second album "Krill, Krill, Krill forever".  Unfortunately, that dream came to an end this year as the beloved Boston trio called it quits after 5 incredible years.  But that didn't stop them from putting out their best album to date.  After garnering extensive praise from both underground and mainstream critics alike, the band packed things in just weeks after the albums release.  Listen and be jealous you weren't along for the ride.



7. Time to Go Home - Chastity Belt
      -Chastity Belt's second full length is light years ahead of their first album.  While the bands initial recordings suited the party rock, collegiate comedy punk they were going for at the time, the quartet got serious in 2015 and put out a decidedly modern, stringently feminist piece of ethereal, rain drenched pop rock.






8. Full Communism - Downtown Boys
      -Besides the G.L.O.S.S. demo, the other cataclysmic punk release of the year was Downtown Boys debut full length.  As the title suggests, the album is staunchly political and confrontational in the best way possible.  Lead singer Victoria Ruiz is in your face with every word as she stares down the gaze of the straight white male and declares this the time of the disenfranchised, of the people of color, and of the middle class.  Like a jazz fueled battle cry this album is certain to be looked back on as an historic precedent.  It reminds us all of what punk can do.



9. Rose Mountain - Screaming Females
      -Screaming Females are probably my favorite band playing music today.  When lead singer/guitarist Marissa Paternoster became ill at the end of last year, fans waited anxiously to see the band return to their former selves.  At times, it seemed as though it might be the end of the furious DIY basement trio.  But the band stayed true to their name and came screeching into 2015 with one of their best records to date.  The songs take on new lyrical depth without sacrificing an ounce of their signature shredding guitar solos and weighty bass fills.  The album is highly confessional and paints a picture of the uncertainty the band dealt with looking towards the future.

10. Women's Rights - Childbirth
      -Childbirth's first release It's a Girl made the honorable mention section on my year end list last year and their follow up in 2015 sees the band honing their style and developing beyond the side project they started out as.  The members are all actively involved in other fabulous Seattle bands including Chastity Belt, Pony Time and Tacocat but that doesn't slow them down.  Each song oozes feminine power and dictates Childbirths view of the modern world while not losing their lighthearted, catchy rhythms.  While not as stripped down as their first release, the album is just as raw and intense as anything that came out this year.

Honorable Mentions


Sun Coming Down - Ought
      -Ought's first album More Than Any Other Day made my list last year so their follow up full length was naturally on my radar in 2015.  I picked it up from the band when they came through town this year and played at Great Scott where their post punk fury translated even better in a live setting.  The new record doesn't see too much musical growth but that's OK.  The bands blend of poetic lyrics, wiry sporadic guitars, and complex song structure create the perfect rock cocktail.  Why fix it if it ain't broke.




The Most Lamentable Tragedy - Titus Andronicus
      -Anytime someone puts out a record about their mental health and extreme anxiety, you have to question the sincerity.  Don't we all get a little depressed and anxious at times?  But lead singer Patrick Stickles truly is about as mentally unstable as they come.  The result is an album which comes straight from the heart and is a powerful confession from one man to the world.  Having been around for 10 years, the bands latest is their most ambitious to date.





Feels Like - Bully
       -The alternative rock world fell in love with Bully this year.  This young band, still in it's infancy, released a harsh, earnest album which recalls the best elements of 90's indie rock.  While many bands seem to want to skirt the "90's revival" tag that gets thrown around a lot these days, Bully seem to embrace it.  Their songs are hard enough to head bang to and poppy enough to keep fans of lighter fare bobbing along as well.  Critics will no doubt be anxiously awaiting their sophomore effort so jump on their debut train while it's caboose is still at the station.

Wednesday, November 4, 2015

Today's Playlist

1. Womb Gold - Stickers
2. Born Good - IAN
3. It's Nice - Screaming Females
4. Don't Lose Touch - Against Me!
5. Before Your Time - INFJ
6. Uncast Shadow of a Southern Myth - Teenage Cool Kids
7. Tech Bro - Childbirth
8. Rain - Ava Luna
9. The Funeral - Band of Horses
10. Ride Your Heart - Bleached

Wednesday, October 7, 2015

Today's Playlist

1. My Mother Tells Me - Haybaby
2. Skin - Pinkwash
3. Rocket Man - Elton John
4. I Don't Care - Grave Ideas
5. Parenthetical Press Kit - ESH the Monolith
6. Rudderless - The Lemonheads
7. Green Eyes - Coldplay
8. Pop Punk Mutiny - Arm Candy
9. Better Bet - Gravel
10. Perfect Love - Radio Control

Wednesday, September 23, 2015

Song's From This Morning

1. I Was a Teenage Anarchist - Against Me!
2. I Can't Keep the Tears from Falling - Nude Beach
3. Get Over It - OK Go
4. Creep - Radiohead
5. Mad World - Tears for Fears
6. If You Could Only See - Tonic
7. Pizza Day - Aquabats
8. Adam's Song - Blink 182
9. Nu Punk - Ovlov
10. Casper (1995) - Speedy Ortiz

Hoopla is Coming to the DFL!!!


So for those who don't know, there is a TON of music and movies right here for your listening and viewing pleasure at the Duxbury Free Library.  But is there some obscure band from the 80's we don't have?  Some classic flick which we don't stock?  Odds are that Hoopla.com has it among its tens of thousands of titles which will soon be available to YOU courtesy of the DFL.  Hoopla is a service similar to Zinio or Freegal which libraries can subscribe to and it allows for a set number of checkouts each month per patron.  They have books, audiobooks, graphic novels, music, movies and TV shows.  Each month you'll be able to check out 6-8 of any or all of these digital items.  No waiting, no holds, no late fees.  When your time is up, the item gets automatically returned and at the end of the month your checkouts get reset so you can take out EVEN MORE.  You can watch, read, or listen on you computer, tablet, OR phone with an internet connection and you can even download the music/audio you rent (temporarily) so you can listen free of WiFi.  Stay tuned for more updates and look for Hoopla to be available to every DFL card holder sometime in October!  In the meantime, check out all the amazing titles they have to offer below and start planning your first checkouts today.

Hoopla!!!

Wednesday, September 9, 2015

Ted and I are BACK with another episode of our podcast where we discuss the movies and music we experienced over the summer.  Films we loved (Ex-Machina, Kingsman), films we hated (Jupiter Ascending, Mission Impossible 4) and music we saw live (Pile, Tim McGraw, J. Cole).  We also talk about music festivals and rumors of a new Northeast festival in talks for next year PLUS what we're looking forward to in the coming months (Ted's going to see Tyler, the Creator and A$AP Rocky!).  Keep an eye out for more in the coming weeks and check out this episode below!

Music and Movies with Mike and Ted - What We Did Over the Summer

Wednesday, September 2, 2015

Colleen Green Just Get's It...And You Should Listen

Some people may say my tastes are limited; that I only review rock and alternative bands (and the like).  However, in today’s music landscape it’s near impossible to find decent rock and roll and thus I feel it is my responsibility to share my findings.  Namely, bands and artists writing and performing KILLER rock music and not getting the attention they deserve.  This is a perfect way to describe Boston ex-pat Colleen Green who now calls sunny LA home.  Green’s 2015 LP I Want To Grow Up perfectly captures the anxiety, fear, and excitement everyone in their 20’s goes through as they leave college and school behind and realize that it is time to get serious (just not too serious). 
The record, which is out on Hardly Art and is the third full length for Green shows tremendous artistic and lyrical growth as she explores a multitude of millennial themes and feelings.  The album opens with the titular track “I Want to Grow Up” in which Green sings “sick of being young, sick of being dumb” over a fuzzy, distorted alt riff and her simple drum machine back beat.  Colleen’s drum machine is a staple of her sound and though she has graduated to bringing a drummer on tour with her, the drum machine on her records contributes heavily to her lo-fi aesthetic.  “Wild One” brings her vocals to the forefront and makes you realize, this girl can sing!  Poppier than the first track, “Wild One” gives way to “TV” one of my favorites on the album.  A chunky riff and faster tempo give the song a pop punk feel a la Blink 182 and you suddenly realize why she covered the bands classic hit “M&M’s” years ago.  She sings “TV is my friend, and it has been, with me every day…from an early age” something millennials who grew up with Nickelodeon feel all too well.  “Pay Attention” brings things back to a pop leaning sound with a dance beat that gets your feet moving and smoothly transitions into the darker, 80’s tinged “Deeper than Love” as Green leaves behind the 90’s for the sounds of her birth decade. 
A highlight of the album is back to back tracks “Things That Are Bad for Me” part I and II.  The first sees Green happily singing “I’ve gotta stop doing things that are bad for me” as she adopts the mentality we all have as we try to grow up and be more mature.  No more late nights, no more partying every weekend, eating healthier, all things everyone must come face to face with.  However, part two is the contradiction.  Adopting a significantly heavier sound (the heaviest on the album) Green employs a driving, tonal riff and steady beat as she talks about how anxiety and a little voice inside her head make her keep doing things that she KNOWS are bad for her and yet she can’t seem to stop.  Something everyone in their 20’s can relate to. 
The following track “Some People” brings love back as the central theme as Green sings of envying those around her who find love so easily while she sits in a loveless, relationship void.  Here we see the themes from “TV” showing up again towards the end of the album.  The idea of loneliness, lack of a love life, and all this depressing negativity while still feeling like it’s time to be an adult and be mature is ever present throughout each song.  The album closes with a bang and a breeze.  “Grind My Teeth” is the punkiest on the album and brings to mind Southern California punk gods The Descendents.  The album then finishes calmly with the positive, uplifting indie pop of “Whatever I Want” which sees Green realizing that despite all the negativity and contradictions associated with growing up, the best part of being an adult is the freedom of being able to do whatever you want. 
Colleen Green has hit the nail on the head when it comes to getting older.  Often times you’re caught up in a whirlwind of confusion and mostly feel like you’re just faking your way through each day/month/year.  Luckily for the rest of us, Green is here to put our minds at ease and let us know we’re not alone.

Wednesday, July 15, 2015

Songs from this Morning

1. Just a Girl - No Doubt
2. Grip - Jawbox
3. Misery Over Dispute - Waxahatchee
4. White Fire - Angel Olsen
5. Froot - Marina and the Diamonds
6. The Graduates - Speedy Ortiz
7. Nadine - DENT
8. Just My Luck - Laughing Stock
9. Targets Of Men - G.L.O.S.S.
10. Mulch - Gnards

Wednesday, June 24, 2015

Ex Hex's Debut Rips in Title and Sound


I haven’t reviewed an album in a while and that is mostly because I haven’t heard one in full which was worth talking about.  However, I recently went and saw Ex Hex at the Sinclair and boy was it a show to remember.  I originally went to see two local openers the first of which absolutely killed.  But Ex Hex was a band that had been on my radar for some time after lead singer/guitarist Mary Timony formed the band Wild Flag alongside Sleater Kinney's Carrie Brownstein.  After an incredible set I picked up their debut record and after several times through, it only keeps getting better.  Entitled “Rips” the album contains twelve nearly perfect tracks of 80’s infused, guitar driver pop rock.  Album opener “Don’t Wanna Lose” establishes the "love theme" which is present in most songs on the album and starts things off with a whiny guitar sound which is ever present throughout the record.  “New Kid” calls to mind early Joan Jett and maintains a steady baseline with layers of lead and rhythm guitar which play off each other superbly.  Betsy Wright’s bass and Timony’s guitar work bounce back and forth like a perfectly timed ping pong match. “How You Got That Girl” is one of the two tracks written by Wright and hearkens back to 80’s giants like Pat Benatar with a chunkier rhythm and the snappy guitar squeals which define Ex Hex’s sound.  Heavy track “Beast” is a slap in the face before the haunting, muted “Everywhere” takes things in a different direction.  Later on “You Fell Apart” is right on track with other 80’s revivalists of today sounding like a cross between the Dum Dum Girls and L.A. garage pop vixens Bleached.  The album closes just as strongly as it begins with the upbeat “Radio On” bringing more sing along choruses and bubbly new wave a la The Go Go’s.  Closing track “War Paint” has one of the best lines of the album as Timony sings “Put your war paint on and dance alone in the crowd”.  This sums up Ex Hex. They are who they are and they do what they do and you'll just have to deal with it.  A band which clearly comes out of the marginalized, loner portion of society and provides the world with the kind of catchy radio rock which is friendly enough for your grandma and rough enough for your cousin going through his punk phase.  Although still relatively fresh having just released their debut back in October of 2014, the band is incredibly tight live and is destined for a phenomenal follow up in my opinion.  Keep your eyes peeled and catch them if you can because I’m sure they won’t be playing such small venues for much longer.

Wednesday, June 3, 2015

This Morning's Music

1. Linger - The Cranberries
2. Wedding - Funeral Advantage
3. Green Eyes - Coldplay
4. It's Nice - Screaming Females
5. Roll Over - The Spirit of the Beehive

Wednesday, May 27, 2015

New Podcast is Up!

Our 6th podcast is up on the Soundcloud!  For this episode we discuss musical genres and how they affect what we listen to.  We discuss whether or not you can take generic genre's like "Indie" at face value and if artists should reserve the right to call themselves what they feel best represents their art.  We dip briefly into the movie realm with a minor bit on actors getting typecast but stick to the tunes for this one primarily.  Check it out and let us know your opinion in the comments!!

What genre is that artist??

Wednesday, May 13, 2015

Another Playlist!!

1. Life - Modern Hut
2. Black Books - Salem Wolves
3. Circle One - The Germs
4. Giant Steps - John Coltrane
5. Green Eyes - Coldplay
6. Tiny Dancer - Elton John
7. Yoshimi Battles the Pink Robots Pt. 1 - The Flaming Lips
8. Waiting for a Girl Like You - Foreigner
9. Region of Fire - JEFF the Brotherhood
10. Carnival - Bikini Kill

Whiplash Was a Violently Emotional Film

        Everyone I spoke to about the musical drama Whiplash had nothing but good things to say about the film.  That is was brilliantly acted, deeply emotional, and all around captivating in its intensity were just a few of the glowing remarks I’d heard about this seemingly random film which gained momentum after its premier at Sundance and eventually won several academy awards including a nom for Best Picture.           
       Based on the high school experiences of director Damien Chazelle, the films protagonist Andrew Neiman played by Miles Teller aspires to be one of the best jazz drummers of all time.  Idolizing the greats like Buddy Rich, Miles’ entire life revolves around his drum kit.  After Terrence Fletcher, an infamous teacher and conductor overhears Andrew practicing, he invites him to join his prestigious jazz band made up of the best musicians at the school.  Starting as alternate drummer, Andrew moves up and down the proverbial ladder jumping from core to alternate several times as he struggles to live up to the ridiculously high expectations of Fletcher who is constantly verbally and physically abusive.  J.K. Simmons deserved the Oscar win for Best Supporting Actor without a doubt.  His anger and rage is palpable and the response it evokes in the viewer is at times unsettling.  The way he treats his students is unacceptable, but it’s done in the interest of pushing the few who have the potential to become legends to the limits.  While you sympathize with Andrew has he struggles to be the best and to impress Fletcher, you can’t help but feel that the two were meant to work with each other.  Andrew wants history to remember him alongside his idols like Rich, and Fletcher is the kind of person who will help him achieve that.  After they have a falling out, Fletcher and Andrew meet at a jazz club where Fletcher explains his methodology by stating that the worst thing anyone can ever say to someone is “good job” implying that it only convinces the person to not push themselves further and the only way to become great is to never stop pushing yourself to be better. 
      While I agree the acting was top of the line and the drumming is other worldly, I wanted a little more from the film.  Andrew’s love interest is barely even relevant and felt like a wasted storyline.  The same goes for his father.  We find out almost nothing about Andrew’s past and his absent mother and while his father fills the roll of emotional support system, their relationship with each other is barely touched on leaving you feeling like the possibility for added emotional weight was missed.  The film clearly intended to focus solely on the relationship between Andrew and his teacher so the other “half storylines” feel unnecessary.  In the end if you like jazz music, Whiplash was a good movie.  If you like drumming, it was a superb movie.