Showing posts with label Bob Mould. Show all posts
Showing posts with label Bob Mould. Show all posts

Wednesday, December 10, 2014

My Year End List - Top 10 Albums of 2014

Every single publication that has anything to do with music in any capacity is currently partaking in the time honored tradition of the Year End list right now so I figured I’d jump on the proverbial bandwagon and put together my own.  Year End lists are interesting because so many people have so many opinions and everywhere you look someone has picked something different for their number one album or song of the year.  AV Club picked Angel Olsen’s Burn Your Fire for No Witness as their number one record of the year and it didn’t even make Rolling Stone’s Top 40 Albums (thought their list is questionable at best considering their pick for number one was U2’s “excuse me while I shove this down your throat” Songs of Innocence LP).  The point is that everyone has their own picks and these happen to be mine.

10. Weezer – Everything Will Be Alright in the End: Weezer has had a tough few years but those pent up anxieties and emotions present themselves in a subtle way on their new album.  Frontman Rivers Cuomo manages to walk the line between sincerity and fun, catchy tunes while the rest of the band follows suit returning to Weezer’s geeky, alt rock roots making longtime fans of The Blue Album happy for the first time in a while.
9. White Lung – Deep Fantasy: Lead singer Mish Way delivers howling squeals and guttural belts fronting the visceral hardcore band White Lung whose third LP this year blended classic thrash with modern punk to create an adrenaline fueled thrill ride which I found myself getting in line to listen to over and over and over again.
8. Eagulls – Eagulls: The debut eponymous LP from the UK’s Eagulls proved that underground 80’s alternative is alive and well.  Each of the albums tracks oozes with manic depressive earnestness and creates a haunting atmosphere which harkens back to early Echo and the Bunnymen with a hardcore punk twist.
7. Parquet Courts – Sunbathing Animal: Brooklyn’s Parquet Courts have been busy the last 18 months churning out several releases the most recent being Sunbathing Animal .  The albums 46 minutes of punk charged art rock see the band pushing the limits of the sound nurtured on last year’s Light Up Gold.  With several songs devolving into Sonic Youth-esqe fuzzy guitar solos, the band has clearly demonstrated that while maintaining a cohesive style, they’re not afraid to take things to the next level.
6. Cloud Nothings – Here and Nowhere Else: Speaking of bands that push the boundaries, Cleveland’s Cloud Nothings released a phenomenal follow up to 2012’s Attack on Memory which proves that lead singer Dylan Baldi who started the band as a solo project in his bedroom has graduated to full on rock star status.  The albums tracks bring the same alternative intensity as their previous release while still showing evolutionary growth.
5. Bob Mould – Beauty and Ruin: The former Husker Du frontman created one of the best rock and roll records of year…hands down.  The album is full of thunderous drums, heavy hooks, raging riffs, and punky beats ranging from radio friendly sing-alongs to full on alternative hailstorms.  There’s a reason this album made my list and not the Foo’s Sonic Highways. 
4. Angel Olsen – Burn Your Fire for No Witness: AV Club’s pick for album of the year, Angel Olsen’s haunting and mesmerizing LP is an astounding piece of modern alterna-folk.  Drawing from an eclectic mix of influences the songs offer up Olsen’s unique and powerful voice as the focal point crafting dreamy, simple, yet heavy compositions around her incredible lyrics.  This album is A MUST for any year end list.
3. Alvvays – Alvvays: Canadian dream pop band Alvvays put together an out of this world debut album this year utilizing ethereal vocals, simple and catchy drumbeats and poppy hooks which when combined create the best “indie” album of the year.  Sounding like a softer version of the Dum Dum Girls with wayyyy less black leather, Alvvays has set the bar high for their follow up but if it’s half as good as their debut, it’ll still be a chart topper in my book.
2. Ought – More Than Any Other Day: WOW is the best way to describe Ought.  The third Canadian group on my list (way to go eh) this punk quartet is the only band to make my brow furrow this year, in a good way!  I was so confused when I first heard their album that I didn’t know whether to jump for joy or question humanity itself.  The albums songs combine the raw power of the Talking Heads with heavy guitars and CRAZY time signatures and tempo changes that both put you in a trance and make your heart explode.  Listen.to.this.record.

1.  Tacocat – NVM:  My number one album of the year emerged like a brilliant ray of sunshine from the dreary, rain saturated forests of the Pacific Northwest.  Tacocat’s debut NVM has everything I’m looking for in an alternative rock record.  All the songs are superb combining lyrics that are lighthearted and funny on songs like “This is Anarchy” and perfect social commentary on tracks like “Hey Girl”.  The band rocks, in sound, subject matter, appearance, and attitude.  All the members are involved in side project’s one of which deserves an honorable mention on my list.  Bree McKenna’s band CHILDBIRTH also released a debut this year entitled It’s a Girl! which exemplifies what’s so great about punk rock.  The album is over in less than 15 minutes but in that short amount of time crafts a raw, lo-fi sound which is grittier and heavier than most other albums released this year across all genres, no ifs ands or buts about it. End of discussion.

Wednesday, September 17, 2014

Bob Mould In All His Alternative Glory


Bob Mould has once again succeeded at creating alternative rock gold.  His latest solo album Beauty and Ruin has the same raw intensity seen in his time with Husker Du while maintaining the more alt rock oriented sound of his early solo albums and influential 90’s band Sugar.  The albums 10 tracks combine elements of alternative, punk, grunge, and rock in a way which can best be described as a mash up between the Foo Fighters and Bad Religion if you must draw a comparison.  Lead in track “Low Season” starts with a haunting and mesmerizing guitar riff which navigates slowly through a melancholy drum beat and comes crashing down with the symbols during the chorus setting a dark and mystifying tone which is abandoned on second track “Little Glass Pill” which hits you like a ton of bricks after chilling out to the slow opener.  The tracks fast, punk rock tempo startles you at first but reminds you that this is in fact the ex-guitarist for one of the preeminent 80’s hardcore bands of the Midwest.  “I Don’t Know You Anymore” follows with a more pop rock, radio friendly sound before continuing into “Kid With Crooked Face” which brings us right back to the blistering tempo and punk sound of Glass Pill and ends up sounding the most like Husker Du on the album alongside the later track “Tomorrow Morning”.  “Nemeses are Laughing” comes next and again returns to the radio rock of some of the earlier tracks.  Mould manages to switch back and forth almost seamlessly providing catchy songs for both mainstream rock fans and underground die-hards.  “The War” comes next and is one of the best songs on the album employing a mix of 70’s punk influences and pop rock to craft a sound similar to the Foo’s.  This sound is continued on “Hey Mr. Grey” but not before cooling off, as is the style of the record, with “Forgiveness” a soft rock ballad with no central guitar riff and a xylophone in the background which definitely sounds the most out of place on the record.  The album comes to a close with two songs which again vary greatly in sound while still maintaining a cohesiveness which ties the album together.  “Let the Beauty Be” is an acoustic soft rock gem which calms your pulse before the record finishes with a bang.  Closing track “Fix It” is some incredible alterna-pop and has the best drums out of all 12 songs which is only fitting as any self-respecting rock album should leave your pulse racing at the end.  In the same vein as Ian Mackaye and his band The Evens, Bob Mould has shown that it is not only possible for the early 80’s hardcore sound to evolve and grow over time but that it’s influences can be used to create something totally new which exemplifies the fact that music is too great and varied to restrict yourself to one style.

Wednesday, September 10, 2014

Today's Playlist

1. Low Season - Bob Mould
2. Dreams - Sebadoh
3. Drunken Butterfly - Sonic Youth
4. A Mirror - Sonic Youth
5. Giving Into Seeing - Cloud Nothings

Wednesday, August 20, 2014

Songs from Today's Playlist

1. Heaven is a Truck - Pavement
2. Gladiator - The Jesus Lizard
3. Low Season - Bob Mould
4. Thin Twin - Hunters
5. Bent Nail - Nothing
6. No Below - Speedy Ortiz
7. Suffragette City - David Bowie
8. Lust for Life - The Stooges
9. This is Anarchy - Tacocat
10. Oliver Twisted - The Vaselines