1. 100% - Sonic Youth
2. Regular - Idiot Genes
3. Black Sap Scriptures - Plague Vendor
4. Lavender Road - GHOST OF A SABERTOOTH TIGER
5. Paranoid - Black Sabbath
Wednesday, June 25, 2014
Wednesday, June 18, 2014
Cult Classics - Meatballs is a Feel Good Summer Film for All
Considering today is the last day of school, it seems like a
good opportunity for another Cult Classic, a timeless summer camp film which is
a perfect way to get excited for the school vacation ahead. Released in 1979, Meatballs was the first starring role for comedian Bill
Murray. Focusing on the quiet,
introverted Rudy Gerner, away from home at sleep away camp for the first time,
the film is part coming of age tale, part raunchy teen comedy, and part feel
good family blockbuster. Murray plays
head counselor Tripper Harrison, in charge of the camps CIT’s (counselors in
training) a group of elder teens which help lead activities and run the
assorted bunk houses. Tripper takes an
interest in young Rudy and takes him under his wing for the duration of the summer. The two go on long runs together and discuss
life over games of poker. The summer is
filled with first loves, competition with neighboring camp Mohawk, and many
pranks on camp director Morty Melnick.
There are WAY too many jokes and one-liners to list but suffice it to
say that the entire movie is quotable.
From the CIT theme song to Murray’s constant sarcastic remarks both
directly to campers and counselors and also over the camp loud speaker, the
film is laugh out loud funny from start to finish. In the end, the message is simple: be
yourself, laugh often, and always remember to have a good time because when you
take a step back and look at whatever problems you have, in the grand scheme of
things….it just doesn’t matter.
The Monuments Men - Good Film, Not Quite Serious Enough
The Monuments Men
was an exciting and comical adventure which was only loosely based on the
popular novel of the same name. Written
and directed by George Clooney, the film has an all-star cast including Matt
Damon, John Goodman, Bill Murray, Hugh Bonneville, and Cate Blanchett. The story begins with Frank Stokes (Clooney)
convincing the Allied generals that saving Europe’s classic works of art is
vital. He believes that an Allied victory
will be meaningless if the great works of the Renaissance masters are lost
forever, either damaged, destroyed, or stolen.
Stokes is allowed to assemble a team of experts, historians, and artists
to try and infiltrate enemy territory and recover the missing
masterpieces. Working with a Parisian
curator named Claire Simone (Blanchett), James Granger (played by Matt Damon)
attempts to get information about the missing pieces which are hastily being
brought to Germany under the leadership of Nazi officer Viktor Stahl ahead of
the advancing Allied armies. The information
is relayed to Stokes and the other members of his team who have split up and
are scattered all across Europe attempting to retrieve priceless works such as
Michelangelo’s Madonna and Child. With
no military support, the story is uplifting as this hodgepodge group of underdog’s
singlehandedly save the history of Western art from the destruction of World
War II. However, I felt that the tone set by the
director was very reminiscent of Ocean’s
11, another Clooney/Damon collaboration.
The seriousness of the story was overshadowed by the comedic elements
which I feel took away from the gravity of what the team was trying to accomplish. While comedic relief was necessary, it seemed
to go a little far making the movie feel more like a art heist comedy when I was
expecting a war drama. Still, the movie
was entertaining and enjoyable to watch, especially when you consider that the
events depicted actually took place. In
the end it was an interesting and untold chapter in the history of the Second
World War which makes viewing the great works on display at museums like the
Louvre all the more special.
Today's Playlist
1. Footsteps - Eagulls
2. Louie Louie - The Kingsmen
3. Somebody to Love - Jefferson Airplane
4. Artificial Life - Operation Ivy
5. Out of Step - Minor Threat
2. Louie Louie - The Kingsmen
3. Somebody to Love - Jefferson Airplane
4. Artificial Life - Operation Ivy
5. Out of Step - Minor Threat
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The Kingsman
Wednesday, June 11, 2014
Exciting Summer Shows
I can't believe it but the Game of Thrones finale is this Sunday and that means that we will have to wait another year until more episodes. But that doesn't mean there's nothing to watch. This Summer promises to have some great new television series starting up about everything from angels, to vampires, to Victorian mysteries. Some notable ones to check out include: Leftovers, an HBO show in which a huge section of the worlds population suddenly disappears and the rest of the planet is left to pick up the pieces and decide what happens next. Penny Dreadful, a Showtime drama about Victorian England using fictional characters from the era such as Dorian Gray and Victor Frankenstein. The Strain which premiers on FX, is based on the book series by Guillermo Del Toro about vampires and promises to be just as gory and realistic as the Walking Dead. Other cable network shows include Dominion on SyFy which is based on the movie Legion and involves the disappearance of God and the subsequent battle between the angels Gabriel and Michael. Finally, for those who are looking for less substance and more action and explosions, check out Last Ship on TNT. Directed by action filmmaker Michael Bay, the show is about a battleship out at sea which receives information that 80% of the worlds population has died of a mysterious disease and it is up to the crew of the ship to find a cure. All seem interesting and with such a wide variety, there's a little something for everyone. Read the full Rolling Stone hot summer series list below.
New Summer Series
New Summer Series
Wednesday, June 4, 2014
Eagulls Make Some Fantastic 80's English Post-Punk
Eagulls have put out the best British post-punk I’ve heard
since Echo and the Bunnymen which is saying a lot considering the latter is
considered one of the best bands to play the genre and the former just put out
their debut less than a year ago. The
five piece rock band from Leeds, England released their debut eponymous album
and its 10 tracks ooze with hardcore guitar riffs, exquisitely deep and
haunting base lines and vocals which sound straight out of the 1980’s New
Wave/Post-Punk English scene with an extra gritty sincerity all their own. Lead in
track “Nerve Endings” has singer George Mitchel melodically shrieking the chorus in a way that is reminiscent of Mark E. Smith with a hoarser, "punkier" squeal which reveals Eagulls history in the hardcore scene . The following track "Hollow Visions" is a veritable punk explosion of energy. Tracks like "Amber Veins" and "Fester/Blister" have great speed and 80's guitar riffs that recall early Joy Division with a faster, heavier tempo. The group clearly has an ear for history while bringing their own style and feel to each and every song. The tempo changes brought to the table by drummer Henry Ruddel are perfect and not only drive the songs forward but keep them interesting as the sound of each starts to blend slightly by the end of the album. While almost all songs maintain the punk aesthetic like "Footsteps" which channels 70's bands like The Damned or closing track "Soulless Youth" (one of the best on the album) some like "Possessed" and "Tough Luck" are reminiscent of the more pop oriented 80's sound of bands like Gang of Four (also from Leeds) or The Cure while still maintaining that hardcore influence alongside drumming that sounds straight out of Mission of Burma's entire catalog. The band, which formed in 2010 is setting itself up for a successful run. Their live show is supposed to be out of this world and they're slated to play Great Scott in Allston two weeks from today. I have tickets and am so excited to see these guys rip through some songs which you would swear were straight out of 1984. If you grew up in the 80's or are a fan of underground music from the era, you will not be disappointed with this album.
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Spike Jonze's "Her" Raises Many Ethical and Philosophical Questions
From a sociological perspective, Her was very intriguing and raised a lot of ethical questions which
were fun and interesting to ponder while watching. That being said, the movie was not the
romantic comedy the previews billed it to be.
Theodore Twombly is an introverted and
quiet middle aged man going through a devastating divorce. Ironically working at a company which writes
personal love letters for people, Theodore goes through the motions of his
average life wondering if this is it. If
he will ever feel the happiness he felt with his now ex-wife or if he is
destined to only feel lesser versions of all the times he spent with her. He has supportive friends and a comfortable
life but what Theodore desperately wants is to love and to be loved once
again.
No year is specified, but the “near
future” the film takes place in shows a society not too far from our own. Every single person has a small earpiece
which they speak to constantly. It reads
them their email, gives them messages, and searches the web, anything you
desire. As such, humans have becoming
increasingly disconnected from each other, similar to how many people in our society
today claim that the smartphone and social media have destroyed personal human
interaction. This only compounds
Theodore’s problems as he finds it increasingly difficult to meet someone
meaningful. That all changes with the
invention of OS1, a personalized, artificially intelligent operating system
available for purchase which promises to be anything you want it to be.
Theodore decides to give it a try and after
booting it up and answering a few basic questions, Samantha is born. Voiced by Scarlett Johansson, Samantha instantly
makes a connection with Theodore. The
two become fast friends as Theodore and Samantha have conversation after conversation
with each other. Constantly connected
via his earpiece, Samantha is only a click away whenever Theodore wishes to
talk to her and after a while, the viewer begins to feel as though she is a
physical person that he’s speaking to on the phone. She can even see and comment on the world
around him via his “smartphone”, a tiny tablet which connects to his earpiece
that Theodore carries around in his breast pocket.
Here’s where the movie starts to delve into
some deep philosophical and ethical questions.
Samantha is, for all intents and purposes, a person. She can think, learn, feel, make decisions,
be angry, sad, happy, frustrated, depressed, you name it. The two have many conversations about what she
is. Is she just a computer program or
something more? As the two fall in love,
become intimate, and begin to pursue a more meaningful relationship these
questions become all the more imperative and you quickly begin to realize that
there is no direct answer. Not only a commentary
on love, Her is a commentary on life
itself and what it truly means to BE alive.
Director Spike Jonze does a fabulous job at subtly dealing with these
questions alongside some superb acting, particularly by Johansson. At the end of the day however, the movie is an
overall depressing story and one that leaves you with more questions than
answers. But in a way, that’s the
point. Does anyone really have a
definitive answer to life or love? No, just
like Theodore, we simply have to dive in feet first and hope everything works
out.
Songs from this Morning
1. Nerve Endings - Eagulls
2. Black Sap Scriptures - Plague Vendor
3. Hymn to the Pillory - Nothing
4. Eye of the Pearl - Quilt
5. Psychic Trauma - Cloud Nothings
2. Black Sap Scriptures - Plague Vendor
3. Hymn to the Pillory - Nothing
4. Eye of the Pearl - Quilt
5. Psychic Trauma - Cloud Nothings
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