Prince
Avalanche felt like a desperate attempt at indie gold. The film focuses on Alvin (played by Paul
Rudd) who is spending the summer in solitude in the backwoods of Texas painting
street lines on miles of rural highway damaged by wildfire. Alvin is an odd duck who can’t quite decide
what makes him happy. Immersing himself
entirely in the silence of the decimated, charred forest Alvin is less than
excited when he takes on an unlikely partner, his girlfriend’s younger brother
Lance, played by Emile Hirsch. Immature,
obnoxious, and mildly philosophical, Lance is at first nothing more than an
annoyance to Alvin as he talks constantly about “getting laid” and partying in
town. As the film progresses the two
form an unlikely friendship as they help each other deal with their life problems
including relationship woes and an uncertainty about the future which plagues them
both. While the film has a few laugh out
loud moments in which ironic, Wes Anderson like humor is employed mostly by
Rudd, the movie was an overall failed attempt at an emotionally gripping coming
of age tale. It’s brutally apparent that
Emile Hirsch’s character is considerably younger than himself which at times
was awkward to watch as he seemed overly whiny and childish and more of a
caricature of a recent high school grad rather than the real thing. Their relationship is more believable at
certain times but for the most part it’s obvious that you are watching Paul
Rudd and Emile Hirsch and for me that is rule number one when it comes to indie
films. If it’s clear that you are
watching well-known actors, it takes away from the real life believability that
makes great indie movies so powerful and that is where Prince Avalanche falls short.
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