Showing posts with label British. Show all posts
Showing posts with label British. Show all posts

Wednesday, October 15, 2014

The Quiet Ones Has Some "Hold Your Breath" Moments

                Since we’re fast approaching Halloween, I figured it was time I reviewed a horror film.  I chose The Quiet Ones, a British supernatural horror movie directed by John Pogue.  The film stars Jared Harris as Joseph Coupland, a university professor from Oxford who conducts an experiment to try and prove that demonic possession isn’t real and can in fact be cured as if it were any other affliction.  He recruits a student named Brian (played by Sam Clafin, Hunger Games: Catching Fire) as a cameraman to document the process and along with his two assistants, the four retreat to a secluded house in the country where they can perform the experiment uninterrupted.  The subject is a girl named Jane Harper who was abandoned as a child and has long been passed from home to home.  She continues to go along with the experiment believing Professor Coupland can cure her.  However, it becomes clear that the forces involved in Jane’s life are far more complex and evil than the Professor and his students imagined.  Still, in an attempt to prove his hypothesis, Coupland goes to extreme and inhuman lengths to get results.
                The film received largely negative reviews and for the most part felt repetitive and unoriginal.  That being said, I still found it entertaining for several reasons.  For one, there are many “stomach clenching” moments which leave you waiting anxiously for something horrific to happen.  This to me is the mark of a truly great horror film.  It’s one of the things that made The Blair Witch Project so successful.  Sometimes, the thought of something frightening happening is more horrifying than something actually happening and in this way the movie uses your own mind against you.  In addition, the film is “loosely based on true events” in that it mimics the Philip Experiment in which a group of researchers attempted to prove that ghosts and possession are merely manifestations of our own subconscious.  I found this very intriguing and the The Quiet Ones adapts this story lightly enough to allow for elaboration while still maintaining the core concept. 

                All in all, the film was creepy and worth the 92 minute run time just like most horror movies.  Horror is one of those genres where you almost always go in to it knowing that from a film standpoint it will probably be less than spectacular.  But that isn’t the point.  With the exception of the few horror films which transcend the genre and become classics, most scary movies are intended to do just that, scare you.  This film did that on some level and so I would recommend it for that reason.  But don’t expect to be wowed, just expect to be startled.

Wednesday, September 10, 2014

Only Lovers Left Alive - A Different Take on the Vampire Story

                The Vampire story has been done to death (pun intentional).  Movies, TV, books, virtually every platform there is has been dominated in recent memory by peoples fascination with the blood sucking Dracula descendants.  That being said, there are still some films which tackle the genre without giving in to popular demand for violent action sequences like in Underworld, or teen romance and alienation like in Twilight
                Such is the case with the British/German film Only Lovers Left Alive which takes on the vampire myth similar to the first season of True Blood in which the focus is heavily on both the history of the vampires themselves and who they are as people.  The film focuses on Adam and Eve played by Tom Hiddleston and Tilda Swinton.  The couple has lived for centuries and has had a hand in influencing many great works of art and music as well as breakthroughs in the fields of science and technology (Adam’s house in the abandoned slums of Detroit is run by technology he helped develop with Nicola Tesla).  Despite all their achievements, knowledge, and wealth, the two have become increasingly disillusioned with not just life, but humanity as a whole; particularly Adam who frequently refers to humans as “zombies” and sees them as mindless drones incapable of any true creation or discovery.  Adam goes so far as to ask a human boy who routinely acquires rare musical equipment for him to get him a wooden bullet as he sits alone in his home and contemplates suicide.  After a quick video call to his wife Eve who has lived the past several years in Tangier, he convinces her to return from her extended holiday where she has spent time rapidly pouring through endless stacks of books.  The two have moved beyond the need to feed on humans and instead get sustenance from a blood bank where Adam has paid off a doctor.  After increased attention from locals, and an unwelcome visit from Eve’s younger sister Ava who is both immature and unpredictable, the two decide to return to Eve’s home in Tangier.  After arriving the two pay a visit to Eve’s source of blood, an ancient vampire named Christopher Marlowe (played by John Hurt) who gets them their sustenance from various sources.  However, they find a sickly and dying Marlowe in bed after consuming a batch of tainted blood.  Now Adam and Eve, stumbling through the streets in a hunger stricken daze notice a young couple in an alley and realize that there is no escaping what must be done.
           Overall, I did have some problems with the film.  Much of the historical references are difficult to ascertain which coupled with the lack of any sort of vampire activity like feeding on humans makes it hard to see Adam and Eve as vampires and not just reclusive intellectuals.  In addition, when the two consume blood it has a euphoric, almost drug induced effect on them which leads to drawn out scenes of psychedelic dancing and other activities which starts to get a little annoying.  That being said, I understand why the film does it as it shows that at their core, they are still creatures with the primal need to feed on the blood of humans.  Something that is inescapable despite their extremely civilized and intellectual existence. 
           In the end, the film is a very interesting take on the vampire myth and is done in a way that allows you to focus on the experience of a vampire; what their day to day mentality is and what their personality has developed into over centuries of life as opposed to watching them fight werewolves.  While I would have LOVED to see some historical reenactment in the form of flashbacks as I think that is what contributes to some of the greatest vampire movies ever, I still think that there was enough historical reference to keep you smiling.  Only Lovers Left Alive is a film that sacrifices the big budget blockbuster aspects of most vampire stories of today in favor of a more low key love story.  It is simply another chapter in the long lives of these two lovers which we get to look in on, and that is what makes the film so unique.

Wednesday, June 18, 2014

Today's Playlist

1. Footsteps - Eagulls
2. Louie Louie - The Kingsmen
3. Somebody to Love - Jefferson Airplane
4. Artificial Life - Operation Ivy
5. Out of Step - Minor Threat

Wednesday, June 4, 2014

Eagulls Make Some Fantastic 80's English Post-Punk


Eagulls have put out the best British post-punk I’ve heard since Echo and the Bunnymen which is saying a lot considering the latter is considered one of the best bands to play the genre and the former just put out their debut less than a year ago.  The five piece rock band from Leeds, England released their debut eponymous album and its 10 tracks ooze with hardcore guitar riffs, exquisitely deep and haunting base lines and vocals which sound straight out of the 1980’s New Wave/Post-Punk English scene with an extra gritty sincerity all their own.  Lead in track “Nerve Endings” has singer George Mitchel melodically shrieking the chorus in a way that is reminiscent of Mark E. Smith with a hoarser, "punkier" squeal which reveals Eagulls history in the hardcore scene .  The following track "Hollow Visions" is a veritable punk explosion of energy.  Tracks like "Amber Veins" and "Fester/Blister" have great speed and 80's guitar riffs that recall early Joy Division with a faster, heavier tempo.  The group clearly has an ear for history while bringing their own style and feel to each and every song.  The tempo changes brought to the table by drummer Henry Ruddel are perfect and not only drive the songs forward but keep them interesting as the sound of each starts to blend slightly by the end of the album.  While almost all songs maintain the punk aesthetic like "Footsteps" which channels 70's bands like The Damned or closing track "Soulless Youth" (one of the best on the album) some like "Possessed" and "Tough Luck" are reminiscent of the more pop oriented 80's sound of bands like Gang of Four (also from Leeds) or The Cure while still maintaining that hardcore influence alongside drumming that sounds straight out of Mission of Burma's entire catalog.  The band, which formed in 2010 is setting itself up for a successful run.  Their live show is supposed to be out of this world and they're slated to play Great Scott in Allston two weeks from today.  I have tickets and am so excited to see these guys rip through some songs which you would swear were straight out of 1984.  If you grew up in the 80's or are a fan of underground music from the era, you will not be disappointed with this album.

Songs from this Morning

1. Nerve Endings - Eagulls
2. Black Sap Scriptures - Plague Vendor
3. Hymn to the Pillory - Nothing
4. Eye of the Pearl - Quilt
5. Psychic Trauma - Cloud Nothings